Innovation and tradition have always influenced creative expression. Some artists stick to tradition, while others embrace technology. Olga Ozerskaya does both. She moves between handcrafted textures and digital layers, proving that these worlds can complement rather than compete.

For Olga, working with natural materials like sand, pigments, and canvas gives her work a tactile, organic feel. At the same time, digital tools offer new ways to experiment, allowing her to manipulate compositions, explore color variations, and create immersive experiences. She doesn’t see them as separate but as part of the same creative journey.

Building on Tradition, Breaking the Rules

Olga’s journey started in Moscow, where she studied classical painting at the Tretyakov Gallery and later expanded her skills at King Williams College in the UK. She earned a dual degree in Art Business and Aesthetics from Moscow State University, combining technical training with a deeper understanding of art’s cultural impact.

While working as a studio assistant to Russian abstractionist Sergey Bruhanov, she was exposed to experimental techniques that pushed her beyond strict academic painting. This experience shaped her approach, she wanted her work to be expressive, layered, and open to new influences.

In 2008, she founded Omdesign, an interior design studio with projects in Miami, London, Munich, Moscow, and New York. Working in design helped her understand how art interacts with space and how different materials change the feel of a piece, insights that now influence her fine art practice.

Bridging the Gap Between Tradition and Technology

Despite her strong foundation in traditional art, Olga was drawn to new ways of creating. In 2016, she studied mixed-media collage at Central Saint Martins in London, where she experimented with layering, textures, and 3D compositions. Her final project won first place, marking a turning point in her artistic career.

She recognizes that both traditional and digital mediums offer unique possibilities, but rather than viewing them as separate or conflicting, Olga sees them as complementary. “I see traditional and digital as complementary rather than opposing forces. By weaving them together, I can expand my artistic language while staying true to the organic, emotional essence that defines my work,” she says.

For Olga, this integration allows her to explore new dimensions of expression without sacrificing the raw, tactile quality that characterizes her handmade pieces. By blending the two, she is able to push creative boundaries while preserving the depth and emotion inherent in her traditional techniques.

Navigating the Art World as a Hybrid Artist

Moving between traditional and digital spaces has not always been easy. The art world often categorizes artists, making it difficult for hybrid creators to find their place. Some traditional collectors hesitate to embrace digital art, while tech-driven audiences don’t always appreciate the craftsmanship of handmade pieces.

Olga has had to carve out her own space, proving that both mediums can enhance each other. By weaving them together, she expands her artistic language while staying true to the emotional depth that defines her work.

Conclusion

Olga Ozerskaya is not just making art, she is changing the way we experience it. She does not see tradition and technology as opposites but as tools that can work together to create something new. Her work challenges the idea that art has to fit into one category. It can be physical, digital, or both. What matters is how it makes people feel.

She is not following trends or trying to impress the art world. She is following her instincts, exploring new materials, and pushing creative boundaries. Whether through textured paintings, mixed-media pieces, or digital installations, she invites people to slow down, engage, and see art differently.

At the heart of it all, her goal is to create something that moves people, stays with them, and makes them see the world and art in a new way.